On the Nature of Beauty

Well, here it is. The long awaited post on Beauty, and my thoughts on the subject. But where to begin this discussion?

The dictionary shall be my starting point. Dictionary.com's definition of beauty reads the following: the quality present in a thing or person that gives intense pleasure or deep satisfaction to the mind, whether arising from sensory manifestations (as shape, color, sound, etc.), a meaningful design or pattern, or something else (as a personality in which high spiritual qualities are manifest).

This definition gives a good starting point, but it leaves open the question of what exactly that quality is that creates that feeling of pleasure.

I shall postulate here that the qualities of beauty are a combination of nurture and nature. From nature, some reactions must necessarily arise. Such emotions as fear, anger, love, and compassion come directly from nature in order to contribute towards the survival of the species. These primal emotions are triggered by certain characteristics. It is because of this nature that a sad song indeed sounds sad, that a carefully selected color scheme and texture in a painting can draw out our deepest emotions, or, on a human level, that the face of a baby can draw out the parental instinct of (especially female) older humans (which I shall casually refer to as the "awwwww! factor").

Nurture is a much tougher nut to crack. Environment will have an impact on what a person finds aesthetically pleasing. To an older person, the Beatles may have sounded like useless noise as their children wore out records listening to their favorite songs, and we (by which I refer to people of my generation) listen to and enjoy music that our parents may not be able to stomach. In this example, the music we grow up with affects our taste.

How, then, does this relate to Art? Art tries to capture these aspects. Through various means, be it the written word, colors, shapes, hues, tones, chords, etc, Art seeks to capture this spirit of Beauty. I am afraid to call it a mysterious force, but I must, because its ultimate source, the human, is a mysterious being. Is Art Human? No. But it is an extension of humanity, one of the many ways by which we exercise our humanity, our capacities to think, our emotions, and the full range of aspects that set humanity apart from other animals.

Nature and Art

I am quite sure that many of you, my dear readers, have on at least one occasion ventured outside and had your auditory senses greeted by an orchestra of bird song. Perhaps some of you even thought it to be pretty. But did you ever consider that this may be Art?

Dewey would, and the father of evolution, Charles Darwin, may well believe it, too, given his extensive work tracing emotions and mental faculties within the animal kingdom. Art. It's in nature, and it's in OUR nature.

If we work from the assumption that Art is in our nature... why, then, would Dewey boldly declare it to be "the greatest intellectual achievement in the history of humanity?" Under that assumption, wouldn't art merely be an expression of our nature, our link to the animal kingdom, far removed from the intellectual capacity that sets us apart from apes or pigs or dogs?

Art may be in our nature. We may see it in the songs of birds, the dams of beavers, the dens of foxes. But in nature, art appears only in forms that are already inherent to the creature in question. With humans, Art manifests itself in new and unexpected ways. Humans use their mental capacities to create new Art, new worlds, new experiences. They form Art in a way a bird never could. Coupled with the conscious self-reflection that is inherent only to humans (at least to our limited yet ever-expanding knowledge), the limits that Art can achieve... do not exist.

And therein lies the hidden nature of Art. It is unconfined, free, ever-expanding. Thus, Art truly is "the greatest intellectual achievement in the history of humanity."